Tag Archives: Dick Penny

CULTURE NEWS

The Dick Kelly Counter-Cultural Banjo Band

There’s no shortage of money at Bristol City Council to fork out on another bloody cultural strategy EXPENSIVELY assembled by consultants from London.

This time around, the city’s current CULTURAL COMMISSAR, Labour Assistant Mayor Estella “Tinkerbell” Tincknell has called in the services of the UK’s “leading creative economy and cultural consultancy” at an undisclosed cost.

The Tom Fleming Consultancy, an “international consultancy” according to their own OVERBLOWN bullshit, have already produced an “Overview & Emergent Themes” paper for their grand plan: Bristol’s Cultural Futures. And what a treat it is.

From a ‘workshop-style intervention’ on how Bristol ‘does international’, which resulted “in a new thought leadership paper” (no, really, they are that up themselves) to “reinventing what it means to be in Bristol, to be Bristolian, and to be at once local and global,” no hackneyed phrase, jargon-riddled cliche or piece of pretentious old bollocks is TOO EMBARRASSING for The Tom Fleming Consultancy.

However the big idea is to become … Wait for it … “THE CITY OF COUNTER-CULTURE“! Forget May ’68; The Angry Brigade; Fat Freddy’s Cat; The Velvet Underground; The Situationist International; Naked Lunch, Ketamine or Crass, a new council funded Bristolian counter-culture of property agents called Nigel renting out shipping containers to public schoolboys so they can run a PUBLICLY SUBSIDISED start-up or street food outlet is on the way. No doubt accompanied by couple of hipsters with a banjo performing authentic indie folk pop in an overpriced coffee shop. Radical or wot?

Of course, we’ve been here before. In 2009 remarkably similar bollocks from the ‘Yellow Railroad International Destination Consultancy’ resulted in a POINTLESS £72k a year Place Making Manager at the council; a couple of street art events and an expensive JUNKET for the city’s self-styled cultural elite at Brasserie Blanc in Quakers Friars. All much criticised by the, then, opposition Labour Party.

This time around Tinkerbell has recruited such counter-cultural luminaries (from those centres of counter-culture West Bristol and er, Bath) as Dick Penny of the Watershed and Andrew Kelly “The Clown” from the Festival of Ideas on to a cultural steering group to deliver the new ‘vision’ and, no doubt, mop up any PUBLIC FUNDING for their organisations in the process.

So be sure to look out for a load of upper middle class cultural bollocks you don’t want and didn’t ask for being dumped on you soon so that the usual suspects can grab another large slice of public funds …

ARTS HOLES: CUTS CAUSE LUVVIE RAGE FOR FERGO’S ‘BEAUTIFUL PEOPLE’

Watershed's big swinging Dick Penny

Watershed’s big swinging Dick Penny

A rare outbreak of common sense last month from Labour’s Southville councillor SEAN ‘DADDY’S BOY’ BEYNON called for a ten per cent cut in the generous handouts for the city’s Key Arts Providers (KAP) as part of the city’s recent slash-and-burn budget.

Naturally there was an explosion of rage from the city’s wealthy and influential luvvie lobby at this small challenge to their large sense of entitlement.

The rage was mingled with disbelief at how anybody could question the overwhelming social value of stuff like the BRISTOL OLD VIC’s latest effort – a five hour, state-subsidised overblown theatrical production of an overwrought Victorian potboiler, Jane Eyre, organised by a Cambridge graduate with a terrible wardrobe!

Legendary local luvvie DICK ‘THE DISRUPTOR’ PENNY, soon waded in with some back-of-the- fag-packet calculations to “prove” that this kind of marginal nonsense is in fact an economic powerhouse for the city and that our luvvie legions are doing a selfless and remarkable job for the masses.

“Combined turnover of not for profit arts and museums organisations in the West of England last year was £55m,” huffed Penny, “and that’s a pretty major return on BCC investment.”

“And none of this takes into account the huge benefit to social cohesion, education, tourism and inward investment,” he puffed. Although he failed to produce a shred of evidence to back up his claims – and what the hell is “social cohesion” anyway?

What he also failed to explain is how this small cut, which would amount to just £100k, would have any effect whatsoever on an industry with a turnover of £55m. Are we meant to believe that a reduction of just one fifth of one per cent of its turnover is going to bring this industry to its knees?

Penny further neglected to point out that one organisation, WATERSHED, receives city council grants in excess of £300k in 2013, which, er … Pays his wages! He also neglected to point out that an increase of just one pound in cinema tickets for the very well-heeled ABC1 audience his venue attracts would make in the region of £100k a year!

So that’s what “social cohesion” is all about, then: the poorest directly subsidising elitist entertainment and the wages of the wealthiest.