Tag Archives: Bristol Old Vic

AUSTERITY MY ARSE

CultureIt hasn’t taken long for Marvin “The Reverend” Rees to turn into another nasty little Tory Boy RUINING THE LIVES of his low paid council staff so that he can FEATHER THE NESTS of the city’s wealthy elite has it?

Less than three months into his ‘REIGN OF ERROR‘ and Marvin has announced that he will need to make 1,000 staff at his council REDUNDANT to “balance the books”. Virtually all these staff will be low paid and will be working in ESSENTIAL public services like adult care, education, social services and housing.

These HORRIFYING CUTS have been spun by the Reverend’s new £63k a year trade union PR girl, Kevin “Slow Brain” Slocombe, as entirely the fault of Tory government austerity and Mayor-no-more George Ferguson. The dynamic business and corporate-friendly Labour duo claim that George left behind a £29m debt for 2016 – 17 of unachieved savings.

Really? So how come a report accepted by Marvin and his cabinet in July – just ONE MONTH before his cuts announcement – assured us, “This report shows that the Council has been able to deliver on its saving plans and balance its base budget in what continues to be a challenging fiscal environment.”

It then goes on to say, “The current financial strategy, consisting of the final year of the 2013-17 MTFS, will be sufficient to balance the Councils budget in 2016/17.”

So what happened in a month to create a £29m black hole in this balanced budget? WHO’S TELLING THE TRUTH? Marvin in July or Marvin in August?

Meanwhile, Slow Brain and the Reverend’s claim that they have no choice but to fire 1,000 staff on low pay fails to stand up to BASIC SCRUTINY when you start to look at the expenditure they’ve either already authorised or are intending authorise and for whom.

In late June Marvin and his cabinet had no problem in handing the COLSTON HALL £1.6m up front to develop their refurbishment plans while also agreeing in principle to chuck them a further £10m to achieve these plans.

At the same meeting, similar generosity was shown to the BRISTOL OLD VIC – who were awarded £1m to underwrite their refurbishment plans – and to another concert hall – ST GEORGE’S – who received £600k to help them with their rebuilding efforts.

And it doesn’t stop there. In September Marvin will award those famously poverty stricken organisations – BUSINESS WEST and the UNIVERSITY OF BRISTOL – an undisclosed subsidy of over £500k to keep their ‘Set Squared’ creative industries ‘business incubator’ running the way they’ve become accustomed to at Brunel’s stylish ENGINE SHED at Temple Meads.

Also in the loop for an undisclosed public handout (of £500k plus) from the Reverend is the THE BOTTLE YARD film and TV studios in south Bristol. Because we can’t have austerity in the high-earning film industry can we?

This is all before we get on to the really high ticket projects Marvin is backing. He’s still committed to the £150m ARENA project, assuring anyone who will listen it’s affordable despite only having £100m to build it.

The other £50m will come from the council taxpayer until that income stream runs dry when Marvin, no doubt, will throw another few bodies on to his HUMAN BONFIRE and sack a few more staff running essential services to balance his crooked books.

Finally we have Marvin’s uncosted and unfunded EUROPEAN CAPITAL OF CULTURE bid. To make himself look good in the ruins of the public services he’ll be running, the Reverend intends to make the city Capital of Culture in 2023 at an undisclosed cost.

HOW MUCH this will cost or WHAT USE it will be to any one not involved in of Marvin’s heavily subsidised high-earning creative industries is anyone’s guess. But what the hell? It’s only other people’s money and other people’s jobs isn’t it?

In less than THREE MONTHS Marvin’s mayoralty has turned into a hyopcritical farce and an elitist backscratching exercise.

“No one left behind” he says? Except for 1,000 council staff running essential services and their familes …

WHO PAYS FOR THESE PONCE HOLES?!

Commentary on recent arts funding cuts – and who they really affect – from The BRISTOLIAN‘s Arts Correspondent…

Any of you readers ever venture into Bristol Old Vic? Watershed? Arnolfini? No? Didn’t think so.

Yet you, me and the rest of Bristol’s working class are expected to fund these artsy, fartsy PONCE HOLES every year through our Council Tax. Not a tenner here or a tenner there, but hundreds of thousands of pounds are given each year from our pockets to fund these unnecessary, unprofitable middle class cultural centres.

Meanwhile that smug prick the Mayor and his arse-licking councillors are more than happy to shut down libraries and day centres and cut back on essential services for Bristol’s pensioners and disabled.

According to them if the things we need don’t make a profit then they must be PRIVATISED OR CLOSED DOWN.

Working class culture is something that scares these arseholes. They don’t want large groups of Bristolians meeting up in case we

start sussing out what a con their capitalist system is and start doing something about it. So they are happy to shut down our pubs (for example, try and find a boozer in Knowle), raise ticket prices at the football, or unleash more riot cops in town of a weekend to drive us out.

They don’t want us going out talking to each other; they want us to work for them, fuck off home and slowly rot away watching moronic zombie TV. Then our rulers can sleep in peace with their profits, whilst the STREETS ARE EMPTY. Meanwhile we pay for fucking middle class arseholes called Rupert or Tristram to have a jolly good night out at the Old Vic, Wankershed or Analphoney. Well fuck that…it’s time to turn off the TV and go meet these privileged scum who we’re paying for.

If they won’t spread the wealth about equally, then maybe it’s about time we spread the violence about.

ARTS HOLES: CUTS CAUSE LUVVIE RAGE FOR FERGO’S ‘BEAUTIFUL PEOPLE’

Watershed's big swinging Dick Penny

Watershed’s big swinging Dick Penny

A rare outbreak of common sense last month from Labour’s Southville councillor SEAN ‘DADDY’S BOY’ BEYNON called for a ten per cent cut in the generous handouts for the city’s Key Arts Providers (KAP) as part of the city’s recent slash-and-burn budget.

Naturally there was an explosion of rage from the city’s wealthy and influential luvvie lobby at this small challenge to their large sense of entitlement.

The rage was mingled with disbelief at how anybody could question the overwhelming social value of stuff like the BRISTOL OLD VIC’s latest effort – a five hour, state-subsidised overblown theatrical production of an overwrought Victorian potboiler, Jane Eyre, organised by a Cambridge graduate with a terrible wardrobe!

Legendary local luvvie DICK ‘THE DISRUPTOR’ PENNY, soon waded in with some back-of-the- fag-packet calculations to “prove” that this kind of marginal nonsense is in fact an economic powerhouse for the city and that our luvvie legions are doing a selfless and remarkable job for the masses.

“Combined turnover of not for profit arts and museums organisations in the West of England last year was £55m,” huffed Penny, “and that’s a pretty major return on BCC investment.”

“And none of this takes into account the huge benefit to social cohesion, education, tourism and inward investment,” he puffed. Although he failed to produce a shred of evidence to back up his claims – and what the hell is “social cohesion” anyway?

What he also failed to explain is how this small cut, which would amount to just £100k, would have any effect whatsoever on an industry with a turnover of £55m. Are we meant to believe that a reduction of just one fifth of one per cent of its turnover is going to bring this industry to its knees?

Penny further neglected to point out that one organisation, WATERSHED, receives city council grants in excess of £300k in 2013, which, er … Pays his wages! He also neglected to point out that an increase of just one pound in cinema tickets for the very well-heeled ABC1 audience his venue attracts would make in the region of £100k a year!

So that’s what “social cohesion” is all about, then: the poorest directly subsidising elitist entertainment and the wages of the wealthiest.